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Constantin Somov
(1869-1939)
Constantin Andreevich Somov was born in St. Petersburg on November 30, 1869 into the family of the senior curator at the Hermitage, artist and art historian, Andrei Ivanovich Somov and his wife, Nadezhda Constantinovna, an excellent musician. The family had a big collection of paintings, etchings, watercolors, big library; the artists were frequent guests in the house. Constantin started to learn to play piano, singing, and painting early.
From 1888 till 1897, he studied at the Academy of Arts, where from 1894 he took a course at Ilya Repin¡¯s studio. Later he wrote that the first five years in the Academy were a lost and fruitless time. Nevertheless he took the studies very seriously and got a number of awards in the academy. The work with Repin can be felt in some of his paintings of those years, e.g. portraits of N. Ober, wife of the sculptor Ober (1896), Portrait of Father (1897), Self-Portrait (1898).
Since his childhood Somov was a friend of Alexander Benois; during their students¡¯ years they often gathered together in the house of Benois, there Somov got acquainted with Sergei Dyagilev, future theatre interprener, and Lev Bakst.
In 1896, the new subjects appeared in his works: ladies and gentlemen in the 18th century garments, e.g. Rest after a Walk, Lady by the Pool, Promenade after Rain, etc. Such works, full of intimite poetry, elegant and refined, were far from the ideals of realistic art. The ¡°gallant¡± 18th century was admired in Benois¡¯ circle. Somov more than others was fond of French Rococo - Watteau, Fragonard, light chamber music by Rameau and Gr¨¦try, Gluck and Mozart. The artist preferred to work with watercolors, but sometimes used mixed techniques ¨C combined watercolor with goache, whitewash and bronze. Somov¡¯s works of 1896-97 are not those of a student, he found already his own theme and his individual style.
In autumn of 1897 he left Academy and went to Paris, where his friends, Benois, Lanceray, Bakst, Ober, Ostroumova had already left for. In Paris they frequented various private studios and the Acad¨¦mie Colarossi. In 1898 after return to St. Petersburg, the friends founded World of Art (Mir Iskusstva) society, with their own magazine. Sergei Diaghilev made much for founding of the society. The World of Art exhibitions attracted talented young artists of St. Petersburg and Moscow. The society played very important role in development of Russian art of the beginning of the 20th century.
In 1897-1900, Somov worked on a beautiful portrait of his childhood friend, and a peer in the Academy of Arts, the artist Elisabeth Martynova. She was often sick and he left abroad several times, and the work on the portrait took so long time. The portrait became known as ¡°Lady in Blue¡±. Martynova¡¯s colleague-painters.... |
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